Public Enemy: Public Enemy No. 1


The Def Jam sampler was the second hiphop record I bought. I was after the Beasties’ track (She’s on it iirc) that wasn’t on LTI but went to school the next day singing Public Enemy No. 1. Life changing.

(Source: youtube.com)

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realindevelopment:

1 2
1 2 3 4

big country fields of fire

go scotland

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Watched the first act of Rob Roy last night to bring me closer to my heritage in this time of decision. Will finish it tonight with some luck.

What a stellar line up of names.

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Played 6 times

realindevelopment:

mission impossible we were told
she’ll never join the jams

the justified ancients of mu mu whitney joins the jams

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septagonstudios:

Muddybeats
HAVE A GOUDA DAY

Cheesy sense of humour.

septagonstudios:

Muddybeats

HAVE A GOUDA DAY

Cheesy sense of humour.

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realindevelopment:

i said come in
come out of the rain

simple minds waterfront

unlike bono, jim kerr got out while he was on top and shut up about the fact he became a property mogul

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“Licensed to Ill changed everything. In those days, this was really before samples clearances. Nobody even knew how to do that stuff. During the making of Licensed to Ill, the sampler got developed. In the earlier songs for the album, there was no sampler, and everything where it seems like a sample is either DJ’ed in with records, or a tape loop around the studio, which was kind of cumbersome and complicated. Sampling didn’t really exist yet. So the idea that you could clear a sample, or a sample was something you could use on a record, that all came later. So they’re very renegade records”

http://www.vulture.com/m/2014/03/rick-rubin-interview-hip-hop-movement.html (via extraface)

I can remember being sooo excited when I came home with that and put the headphones on. One first listen I distinctly recall.

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grunisment:

Herakut - “One is just a brick. Many together can be a home.” Jordan 2014

grunisment:

Herakut - “One is just a brick. Many together can be a home.” Jordan 2014

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oldskoolpaul:

#sunset whilst #exploring the #streets of #koln #colonge one #evening #in the #city #centre … #vibrant #colourful #orange #skys #lighting #lightleak #germany #travel #travelling #instatravel … #edited using #snapseed on #ipad #min shot on #apple #iphone4 (at Biergarten am Aachener Weiher)

oldskoolpaul:

#sunset whilst #exploring the #streets of #koln #colonge one #evening #in the #city #centre … #vibrant #colourful #orange #skys #lighting #lightleak #germany #travel #travelling #instatravel … #edited using #snapseed on #ipad #min shot on #apple #iphone4 (at Biergarten am Aachener Weiher)

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2000adonline:

Deadly Aim.
Simon Bisley preliminary inks for Prog #1067 from November 2004.

2000adonline:

Deadly Aim.

Simon Bisley preliminary inks for Prog #1067 from November 2004.

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offscreenmag:

Last last-minute reminder that I’m in London and speaking at tomorrow’s The Modern Magazine event, along with an amazing bunch of other, much more talented magazine makers. Tickets are still available. Be quick! If you are there, please grab me for a chat. :)

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boot-and-blade:

unpossiblelabs:

The Guide to Glorantha and the Argan Argar Atlas have arrived in physical form. They are huge, they are full of wonderful maps and illustrations, and the attention to detail throughout is astounding. Notice the quarter, which gives an indicator of the size, if not the weight.



Alas! It costs almost the price of the books to have them shipped here! *cries*

Book freight :-(

boot-and-blade:

unpossiblelabs:

The Guide to Glorantha and the Argan Argar Atlas have arrived in physical form. They are huge, they are full of wonderful maps and illustrations, and the attention to detail throughout is astounding. Notice the quarter, which gives an indicator of the size, if not the weight.

Alas! It costs almost the price of the books to have them shipped here! *cries*

Book freight :-(

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:-)

:-)

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